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# Robin Minard

silent music

## Sitemaps

- [XML Sitemap](https://robinminard.com/sitemap.xml): Contains all public & indexable URLs for this website.

## Posts

- [Werke/Works 1984-2019](https://robinminard.com/2020/10/01/werke-works-1984-2019/) - English/German with texts by Annegret Laabs, Helga de la Motte Haber, Barbara Barthelmes and Robin Minard. 176 pages with numerous large format photos and a Web-App. (B,M)

## Pages

- [Home](https://robinminard.com/)
- [Curriculum Vitae](https://robinminard.com/curriculum-vitae/) - Portrait Short bio Robin Minard was born in Montreal, Canada. He studied music theory and composition in Canada and Paris. Since the early 1980’s his work has focused in the area of electroacoustic composition and sound installation art. From 1992-1996 he was lecturer on sound installation at the Electronic Studio of the Berlin Technical University.
- [Vita](https://robinminard.com/vita/) - Portrait Short Bio Robin Minard was born in Montreal, Canada. He studied music theory and composition in Canada and Paris. Since the early 1980’s his work has focused in the area of electroacoustic composition and sound installation art. From 1992-1996 he was lecturer on sound installation at the Electronic Studio of the Berlin Technical University.
- [Selected Presentations](https://robinminard.com/vita/selected-presentations/) - 2024 Donaueschinger Musiktage, Donaueschingen. Kaminoyama Soundmark. Permanent installation, inauguration 17.10.2024 (I) ZIMMT (Zentrum für Immersive Medienkunst Musik und Technologie), Leipzig. Chundua. 31.05.-16.06.2024 (I) Deutschlandfunk Kultur, Berlin. Premiere broadcast of the German version of Losing Mongolia on the program Klangkunst. 03.05.2024 (R) WDR 3, Cologne. Premiere broadcast of the original English version of Losing Mongolia
- [List of Works 1984 - 2025](https://robinminard.com/vita/list-of-works-1984-2020/) - Installations Balloon Project II, “Stille” (2025), installation with 2 grand pianos, 1 large balloon, loudspeakers and transducers. Created for the XVIII. Mitteldeutsche Tagung für Musiktheorie und Hörerziehung (The 18th Central German Conference for Music Theory and Listening Education), Leipzig. Balloon Project I (proposed on request 2024), site specific installation with small and large balloons, transducers
- [Cookie Policy (US)](https://robinminard.com/cookie-policy-us/) - Region US not activated for cookie-statement.
- [Current](https://robinminard.com/current/) - News Ongoing Installations Online
- [Installations](https://robinminard.com/installations/)
- [Publications](https://robinminard.com/publications/) - Catalogue published in conjunction with the solo exhibition "Works 1984-2019" at the Kunstmuseum Magdeburg, Germany English/German Texts by Annegret Laabs, Helga de la Motte-Haber, Barbara Barthelmes and Robin Minard. 176 pages, large-format color photos, Web-App. Verlag für moderne Kunst: https://vfmk.org/de/shop/robin-minard Qikiqtaaluk for Wilson Qikiqtaaluk for Wilson 2021 Stereo version of “Qikiqtaaluk for Wilson” (2014) released
- [Video Documentations](https://robinminard.com/video-documentations/) - "On and Between" (2017) "Kaminoyama Soundmark" (2024) "Kaminoyama Soundmark" Radiobericht "Rosace" (2017) "On and Between" (2017) Making of "The Qikiqtaaluk Deep Map" (2014) Robin Minard / Silent Music, ZKM (2013) Robin Minard / Portrait / Netzwerk Neue Musik (2010) Robin Minard / Sounding D (2010) Robin Minard / Entrevue / OBORO (2008)
- [Works](https://robinminard.com/works/)
- [Links and Downloads](https://robinminard.com/links-and-downloads/) - Links Downloads
- [Cookie Policy (EU)](https://robinminard.com/cookie-policy-eu/) - This Cookie Policy was last updated on 10 January 2025 and applies to citizens and legal permanent residents of the European Economic Area. 1. Introduction Our website, https://robinminard.com (hereinafter: "the website") uses cookies and other related technologies (for convenience all technologies are referred to as "cookies"). Cookies are also placed by third parties we have
- [Privacy Statement (EU)](https://robinminard.com/privacy-statement-eu/) - This privacy statement was last updated on 10 January 2025 and applies to citizens and legal permanent residents of the European Economic Area. In this privacy statement, we explain what we do with the data we obtain about you via https://robinminard.com. We recommend you carefully read this statement. In our processing we comply with the
- [Impressum](https://robinminard.com/impressum/) - Dieses Impressum wurde zuletzt am 10 January 2025 aktualisiert Name Robin Minard Adresse Hoher Weg 1A, D-99425 Weimar Email: info@robinminard.com Telefonnummer: +49 171 286 3375 Geltungsbereich: https://robinminard.com Vertretungsberechtige(r): Robin Minard
- [Disclaimer](https://robinminard.com/disclaimer/) - Robin Minard is committed to keeping this website up to date and accurate. Should you nevertheless encounter anything that is incorrect or out of date, we would appreciate it if you could let us know. Please indicate where on the website you read the information. We will then look at this as soon as possible.
- [Terms & conditions](https://robinminard.com/terms-conditions/) - The Terms and Conditions were last updated on 28 November 2021 1. Introduction These Terms and conditions apply to this website and to the transactions related to our products and services. You may be bound by additional contracts related to your relationship with us or any products or services that you receive from us. If any provisions
- [Privacy Statement (UK)](https://robinminard.com/privacy-statement-uk/) - Region UK not activated for privacy-statement.
- [Privacy Statement (US)](https://robinminard.com/privacy-statement-us/) - Region US not activated for privacy-statement.
- [Cookie Policy (CA)](https://robinminard.com/cookie-policy-ca/) - Region CA not activated for cookie-statement.
- [Privacy Statement (CA)](https://robinminard.com/privacy-statement-ca/) - Region CA not activated for privacy-statement.
- [Cookie Policy (AU)](https://robinminard.com/cookie-policy-au/) - Region AU not activated for cookie-statement.
- [Privacy Statement (AU)](https://robinminard.com/privacy-statement-au/) - Region AU not activated for privacy-statement.
- [Cookie Policy (UK)](https://robinminard.com/cookie-policy-uk/) - Region UK not activated for cookie-statement.
- [Objects](https://robinminard.com/objects/)
- [Compositions](https://robinminard.com/compositions/)

## Portfolio

- [Kaminoyama Soundmark 2024](https://robinminard.com/portfolio/kaminoyama-soundmark-2024/) - "Kaminoyama Soundmark" is a permanent site-specific installation commissioned by the Donaueschinger Musiktage and the City of Donaueschingen. Robin Minard recording bells in Kaminoyama. Foto: Susan Minard Robin Minard recording bells in Kaminoyama. Foto: Susan Minard Robin Minard recording bells in Kaminoyama. Foto: Susan Minard Robin Minard recording the transcription of a text by Mokichi Saito. Foto:
- [Balloon Project I](https://robinminard.com/portfolio/balloon-project-i/) - “Balloon Project I” is a site-specific sound installation proposed on request for the Linachtalsperre (Linach Valley Dam) in Vöhrenbach, southern Germany. The project is yet to be realised. The work combines high-frequency balloons, distributed on the surface of the reservoir lake, with huge low-frequency balloons, squeezed between the concrete structures on the front of the
- [Balloon Project II "Stille" (2025)](https://robinminard.com/portfolio/balloon-project-ii-stille-2025/) - Balloon Project II "Stille" sound installation with 2 grand pianos, 1 large balloon, loudspeakers and transducers. The installation “Stille” (Silence) was created for the XVIII. Mitteldeutsche Tagung für Musiktheorie und Hörerziehung (The Central German Conference for Music Theory and Listening Education) in Leipzig. The sounds of the installation are taken from the work “Music for
- [Losing Mongolia](https://robinminard.com/portfolio/losing-mongolia/) - Radio composition / stereo / 51'10" LISTEN Commissioned by Deutschlandfunk Kultur Berlin for the program Klangkunst and the West Deutsche Rundfunk (WDR3) for the program Open Sounds. Musician Altanbat Munkhbat and Robin Minard. Foto: Batsuren Jamiyansuren Musician Altanbat Munkhbat (left), Nomad Buyantogtokh Sharav (middle) and Robin Minard (right). Foto: Batsuren Jamiyansuren Nomad Buyantogtokh Sharav, Storytelling.
- [Listening to Australia](https://robinminard.com/portfolio/listening-to-australia/) - Radio composition / stereo / 41’00. Commissioned by Deutschlandfunk Kultur Berlin for the program Klangkunst. Originally composed under the title "The Australian Radio Art Project". Based on field recordings made during 9-month long travels through isolated areas of Australia. LISTEN Mr. Nelson, Ali Curung Community, Northern Territory, 2008. Foto: R. Minard Valerie, Ali Curung Community,
- [The Qikiqtaaluk Deep Map](https://robinminard.com/portfolio/the-qikiqtaaluk-deep-map-2/) - Radio composition / 5.1 surround & stereo / 49’00. Commissioned by Deutschlandfunk Kultur Berlin for the program Klangkunst and the West Deutsche Rundfunk (WDR3) for the program Open Sounds. LISTEN Field recording for The Qikiqtaaluk Deep Map: Dogsledding on Frobisher Bay (2013). Foto: S. Minard Field recording for The Qikiqtaaluk Deep Map: Dogsledding on Frobisher
- [Kayapó - EN](https://robinminard.com/portfolio/kayapo-the-crying-chieftain-raoni/) - Radio composition / stereo / 49’00. LISTEN Kayapó - The Crying Chieftain Raoni is dedicated to the Kayapó and Guarani people of the Amazon rainforest and the Kayapó leader Raoni Metuktire. Indigenous protests at the "Acampamento Terra Livre", Brasilia, 2018. Foto R. Minard Indigenous protests at the "Acampamento Terra Livre", Brasilia, 2018. Foto R. Minard
- [Chundua (Leipzig) 2024](https://robinminard.com/portfolio/chundua-leipzig-2024/) - The installation "Chundua" was conceived in 2022 for the historic lecture hall of the Museum Koenig Bonn. The Bonn installation consisted of 6 planar loudspeakers (IDMT Ilmenau), 85 table-mounted loudspeaker objects and 29 channel audio. In 2024 the installation was revised for a presentation at ZiMMT (Zentrum für Immersive Medienkunst Musik und Technologie) in Leipzig.
- [Chundua - Froschträume 2022](https://robinminard.com/portfolio/chundua-froschtraume-2022/) - "Chundua - Froschträume" is a site-specific installation for the historic lecture hall of the Museum Koenig Bonn with 6 planar loudspeakers (IDMT Ilmenau), 85 table-mounted loudspeaker objects and 29 channel audio. Chundua - Froschträume, Museum Koenig, Bonn 2022. Foto: © Simon Vogel and Soundforum Bonn 2022 Chundua - Froschträume, Museum Koenig, Bonn 2022. Foto: © Simon
- [Nachklang 1999](https://robinminard.com/portfolio/nachklang-1996/) - A site specific installation broadcast from 3 bell towers within the historic centre of the city of Weimar. Nine different compositions made from recordings of the Buchenwald bell were played 3 times daily for a period of 4 months during the celebrations of Weimar as the European Capital of Cultural 1999. The work was repeated in
- [Sueños de rana 2022](https://robinminard.com/portfolio/suenos-de-rana/) - "Sueños de rana" is a site-specific installation for the courtyard of the Museo de Arte in Santa Marta, Colombia with 16 mid-range loudspeakers, 2 full-range loudspeakers and 8 channel audio. Sueños de rana, Museo de Arte, Santa Marta, Colombia, 2022. Foto: © R. Minard Sueños de rana, Museo de Arte, Santa Marta, Colombia, 2022. Foto:
- [Brunnen 1994](https://robinminard.com/portfolio/2367/) - Installation with 3 blue acrylglas resonators, integrated loudspeakers and 3-channel audio Brunnen, Aspekte Festival, Mozerteum, Salzburg, 1994. Foto: R. Minard Brunnen, Aspekte Festival, Mozerteum, Salzburg, 1994. Foto: R. Minard Brunnen, Stadtgalerie Saarbrücken, 1999. Foto: T. Gundelwein Brunnen, Kunstmuseum Magdeburg, 1996. Foto: H.-W. Kunze Brunnen, Kunstmuseum Magdeburg, 2017. Foto: U. Gellner Presentations 2017: Kunstmuseum Kloster Unser
- [Music for Environmental Sound Diffusion 1984](https://robinminard.com/portfolio/music-for-environmental-sound-diffusion-1984/) - Installation with 12 ceiling-mounted loudspeakers, 2 wooden resonators at floor level and one-channel audio Music for Environmental Sound Diffusion, Galerie Tangente, Montréal, 1984. Foto: J. Guimond Presentations 1984: Galerie Tangente within Musique à Tangente, Montréal. 1984: Foyer of the Hotel Méridien, Montréal (over the foyer loudspeaker system).
- [à voir en silence](https://robinminard.com/portfolio/a-voir-en-silence/) - artist edition of 3 presentation boxes each containing handmade paper with integrated piezo loudspeaker elements and an audio CD, 1-Kanal Audio. à voir en silence (2006). Foto: © OBORO à voir en silence (2006). Foto: © OBORO à voir en silence (2006). Foto: © Galerie Mazzoli à voir en silence (2006). Foto: © Galerie Mazzoli
- [Stillleben (1995)](https://robinminard.com/portfolio/stillleben-1995/) - 3 miniature greenhouses with integrated integrated piezo loudspeakers, 3-channel audio Stillleben_1_Web Stillleben_2_Web Presentations 1999: Kunstmuseum Magdeburg within the exhibition "Gärten der Flora". 1995: Kirschencomplex, Maastricht within the Multiple Sounds Festival.
- [Music for Passageways 1985](https://robinminard.com/portfolio/music-for-passageways-1985/) - Installation with 32 tuned pipes, 32 loudspeakers and 4-channel audio Music For Passageways, Stadtgalerie Saarbrücken, 1999. Foto: T. Gundelwein Music For Passageways, Lichthof, TU Berlin, 1987. Foto: F. Hein Music For Passageways, Lichthof, TU Berlin, 1987. Foto: F. Hein Music For Passageways, Lichthof, TU Berlin, 1987. Foto: F. Hein Music For Passageways, Lichthof, TU Berlin,
- [Soundwalls 1988](https://robinminard.com/portfolio/soundwalls-1988/) - 3 vertical wooden resonators, metallic paint, 12 integrated transducers, 6 channel audio Soundwalls, Kongresshalle / Haus der Kultur der Welt, West Berlin, 1988. Foto: G. Oteri Soundwalls, Kongresshalle / Haus der Kultur der Welt, West Berlin, 1988. Foto: F. Hein Soundwalls, Kongresshalle / Haus der Kultur der Welt, West Berlin, 1988. Foto: F. Hein Soundwalls,
- [Soundcatchers 1991](https://robinminard.com/portfolio/soundcatchers-1991/) - Installation for the courtyard for the Wissenschaftszentrum Berlin. Acrylglas reflectors with integrated microphones and loudspeakers, computer-controlled FFT analysis/translation, midi synthesizer and multi-channel audio. Soundcatchers, Wissenschaftszentrum Berlin, 1991. Foto: G. Oteri Soundcatchers, Wissenschaftszentrum Berlin, 1991. Foto: G. Oteri Soundcatchers, Wissenschaftszentrum Berlin, 1991. Foto: G. Oteri Soundcatchers, Wissenschaftszentrum Berlin, 1991. Foto: G. Oteri Soundcatchers, Wissenschaftszentrum Berlin, 1991.
- [Stationen 1992](https://robinminard.com/portfolio/stationen-1992/) - A site specific installation for the 5-story spiral staircase and the bell tower of the Parochialkirche, Berlin. Various loudspeakers, microphones, computer-controlled FFT analysis/translation, midi instruments and multi-channel audio. Loudspeakers were arranged vertically in order of ascending frequency-range from the base of the staircase (subwoofer) into the bell tower (piezos). The overtone chord projected by the
- [Klangweg 1994](https://robinminard.com/portfolio/klangweg-1994/) - Installation with 5 greenhouse loudspeaker boxes, integrated mid-range and piezo loudspeakers, 5 motion sensors, computer-controlled MIDI samples and 5-channel audio Klangweg, Schloss Neuhaus, Landesgartenschau Paderborn, 1999. Foto: R. Minard Klangweg, Schloss Neuhaus, Landesgartenschau Paderborn, 1999. Foto: J. Braun Klangweg, Schloss Neuhaus, Landesgartenschau Paderborn, 1999. Foto: J. Braun Presentations 1994: Schloss Neuhaus, Paderborn within the Landesgartenschau Paderborn,
- [Still/Life (Magdeburg) 1996](https://robinminard.com/portfolio/still-life-magdeburg/) - A site specific installation with 2300 piezo loudspeakers and 8-channel audio for the crypt of the historic cloister within the Kloster Unser Lieben Frauen / Kunstmuseum Magdeburg. Still / Life, Kloster Unser Lieben Frauen / Kunstmuseum Magdeburg, 1996. Foto: H.W.-Kunze Still / Life, Kloster Unser Lieben Frauen / Kunstmuseum Magdeburg, 1996. Foto: H.W.-Kunze Still /
- [Silence (Blue) Pittsburgh/Chemnitz 2000/2003](https://robinminard.com/portfolio/2326/) - Installations with blue film, piezo elements attached between acrylglas panels (Pittsburgh version) or on parchment paper (Chemnitz version), 3-channel audio. Mattress Factory of Contemporary Art, Pittsburgh, USA, 2000. Foto: © Mattres Factory Mattress Factory of Contemporary Art, Pittsburgh, USA, 2000. Foto: L. Karbowska Voxxx Galerie, Chemnitz, Germany, 2003. Foto: A. Seidl Voxxx Galerie, Chemnitz, Germany,
- [Silence (Blue) / chambre 108 (bleu) 1999-2017](https://robinminard.com/portfolio/silence-blue-chambre-108-bleu/) - Installations with blue film, white carpet, white accessories, numerous hidden mid-range loudspeakers and 2-channel audio. Soundtrack from the composition Music for Quiet Spaces (1984) Silence (Blue), Kunstmuseum Magdeburg, 2017. Foto: U. Gellner Silence (Blue), Stadtgalerie Saarbrücken, 1999. Foto: T. Gundelwein chambre 108 (bleu), Hôtel Novotel Lille, 2004. Foto: F. de Domahidy Silence (Blue), Kunstmuseum Magdeburg,
- [Spiegelung (blau) 2009](https://robinminard.com/portfolio/2335/) - A site specific installation with real-time sound processing and spatialization, creating an abstract sound environment out of material taken from festival concerts. Blue film mounted on windows and 12-channel high-performance audio. Commissioned for the Spiegelsaal (mirror room) of the Museum Biedermann, Donaueschingen within the Donaueschinger Musiktage 2009. Museum Biedermann, Donaueschinger Musiktage, 2009. Foto: C. Popp
- [SoundBits01 2002](https://robinminard.com/portfolio/soundbits01/) - 576 piezo loudspeakers, 576 one-bit audio channels, custom hardware developed at IRCAM, Paris. Realised at IRCAM with the collaboration of Norbert Schnell (technical concept and jMax programming), Emmanuel Fléty (hardware development) and Rémy Müller (programming and installation assistant). SoundBits01, Stadtbad Oderbergerstrasse, Festival Inventionen, Berlin. Foto: R. März SoundBits01, Stadtbad Oderbergerstrasse, Festival Inventionen, Berlin. Foto: R. März
- [Rosace 2017](https://robinminard.com/portfolio/rosace-2017/) - Site specific installation for the cloister courtyard of the Kunstmuseum Magdeburg with 42 wall-mounted loudspeakers and 16-channel audio. Purchased by the museum in 2020. Rosace, Kunstmuseum Magdeburg, 2017. Foto: H.-W. Kunze © Kunstmuseum Magdeburg Rosace, Kunstmuseum Magdeburg, 2017. Foto: H.-W. Kunze © Kunstmuseum Magdeburg Rosace, Kunstmuseum Magdeburg, 2017. Foto: H.-W. Kunze © Kunstmuseum Magdeburg Rosace,
- [Kayapó 2019](https://robinminard.com/portfolio/kayapo-2/) - An installation based on the radio composition Kayapó - The Crying Chieftain Raoni with 80 mid-range waterproof loudspeakers on adapted microphone stands, 4 megaphones, 2 hidden full-range waterproof loudspeaker boxes, 46-channel audio. Kayapó, Akademie der Künste Berlin, 2019. Foto: S. Gottschall Kayapó, Akademie der Künste Berlin, 2019. Foto: S. Gottschall Kayapó, Akademie der Künste Berlin, 2019.
- [Long Lost Bells / Verlorene Glocken 2019](https://robinminard.com/portfolio/long-lost-bells-verlorene-glocken-2/) - Site specific installation for the sculpture park of the Kunstmuseum Magdeburg. 2 large steel plates with integrated loudspeakers, 2 channel audio and a composition made from recordings of bells permanently damaged in the air raids on Magdeburg during the Second World War. Sounding daily on each hour from 11AM to 10PM Long Lost Bells /
- [Kayapó - PT](https://robinminard.com/portfolio/kayapo-pt/) - composição radiofônica / estéreo / 50'44. ESCUTAR Kayapó - O Choro do Chefe Raoní é uma composição radiofônica dedicada aos povos Guarani e Kayapó da Floresta Amazônica e ao conhecido líder Kayapó Raoni. Indígenas reunidos nos protestos do "Acampamento Terra Livre" em Brasília, 2018. Foto: R. Minard Indígenas reunidos nos protestos do "Acampamento Terra Livre"
- [On and Between 2017](https://robinminard.com/portfolio/on-and-between/) - Site specific installation for the foyer of the Luxembourg Philharmonic with 64 mp3-player, 200 piezo loudspeakers and 68 channel audio. Philharmonie Luxembourg. Foto: © Philharmonie Luxembourg Philharmonie Luxembourg, Detail. Foto: © Philharmonie Luxembourg On and Between, Philharmonie Luxembourg, 2017. Foto: J. Chan-A-Sue On and Between, Philharmonie Luxembourg, 2017. Foto: J. Chan-A-Sue On and Between, Philharmonie
- [Climate Change (Blue) 2020](https://robinminard.com/portfolio/climate-change-blue-2/) - A site specific installation for the entrance stairway of the D-Museum in Seoul, South Korea with blue plastic film, construction elements and various loudspeakers constellations. The installation combines elements of Silent Music, Silence Blue and Rosace. Climate Change (Blue), D-Museum, Seoul, 2020. Foto: L. Hennig Climate Change (Blue), D-Museum, Seoul, 2020. Foto: L. Hennig Climate Change
- [Still/Life (shadow) 1996](https://robinminard.com/portfolio/still-life/) - installed column, lamp, countless piezo loudspeakers and 8 to 16 channel audio Still/Life, Mattress Factory of Contemporary Art, Pittsburgh, 2000. Foto: © Mattress Factory Still/Life, Musée d'art contemporain de Lyon, 1998. Foto: R. Minard Still/Life, Het Apollohuis, Eindhoven, 1996. First installation made with an existing column. Foto: R. Minard Still/Life, Het Apollohuis, Eindhoven, 1996. First
- [Rosace Contained / Released 2019](https://robinminard.com/portfolio/1759/) - 2 separate wall-mounted loudspeaker installations with a total of 112 loudspeakers and 40-channel audio. Commissioned for the opening of the new Bauhaus Museum, Weimar. Rosace Contained / Released, Bauhaus Museum Weimar, 2019. Foto: R. Minard Rosace Contained / Released, Bauhaus Museum Weimar, 2019. Foto: R. Minard Rosace Contained / Released, Bauhaus Museum Weimar, 2019. Foto:
- [Silent Music (Mariposa) 2002](https://robinminard.com/portfolio/silent-music-mariposa/) - 3 vertical columns, 150 piezo loudspeakers, 3-channel audio Silent Music, Kulturpark Mariposa, Arona, Teneriffa, 2001. Foto: F. Schubert Silent Music, Kulturpark Mariposa, Arona, Teneriffa, 2001. Foto: H. Müller Silent Music, Kulturpark Mariposa, Arona, Teneriffa, 2001. Foto: F. Schubert Silent Music (following restoration in 2005), Kulturpark Mariposa, Arona, Teneriffa, 2001. Foto: R. Minard Silent Music (following
- [Silent Music 1994-2017](https://robinminard.com/portfolio/658/) - Installation consisting of several hundred wall-mounted piezo loudspeakers and 4-channel audio. The work has been adapted to countless public and museum spaces throughout the world. SilentMusic, Whanki Museum with the exhibition "Whanki Wave", Seoul, South Korea, 2014. Foto: R. Minard Silent Music, Calit2 Gallery, Califormia Institute for Telecommunications and Information Technology, UCSD, San Diego, USA,
- [Acousmatic and instrumental compositions](https://robinminard.com/portfolio/acousmatic-and-instrumental-compositions/) - Selected acousmatic and instrumental compositions 1984-2020 8-channel / 16'30 realized for a concert in honor of Franz Martin Olbrisch at the Hochschule für Musik Dresden in January 2020. The Prix SoundwalkThe Prix Soundwalk (2015) GPS-based site-specific composition for smartphones created for the abandoned Phrix paper factory, Frankfurt within the festival „Klangkunst trifft Industriekultur”. Programming:
- [à lire en silence](https://robinminard.com/portfolio/lireensilence/) - Artists edition with hand-written book, integrated piezo loudspeaker elements, presentation box and audio CD LIRE_Detail_Web LIRE_Detail_Mazzoli LIRE_BOX_Web LIRE_Box_Mazzoli Presentations 2016: Sächsische Akademie der Künste, Dresden, Germany. Group exhibition 2014: Whanki Museum, Seoul, South Korea. Group exhibition 2011: Freiraum Quartier 21, Wien, within the Group exhibition “Tonspur expanded” [Installation] 2011: Galerie Mazzoli, Berlin. Exhibition Kubisch/Minard 2008:
- [AudioBooks (2005)](https://robinminard.com/portfolio/audiobooks-2005/) - 7 books with handwritten texts and integrated piezo loudspeaker elements. Audio Books (2005) Photo: Inken Bornholt Audio Books (2005) Photo: Inken Bornholt Audio Books (2005) Photo: H.-W. Kunze © Kunstmuseum Magdeburg Audio Books (2005) Photo: H.-W. Kunze © Kunstmuseum Magdeburg Audio Books (2005) Photo: H.-W. Kunze © Kunstmuseum Magdeburg Presentations 2017: Kunstmuseum Magdeburg, within "Works

## Categories

- [Buch](https://robinminard.com/category/buch/)

## Tags

- [Automated](https://robinminard.com/tag/automated-tdgext/)

## Portfolio Categories

- [Installations](https://robinminard.com/portfolio-category/installations/)
- [Permanent](https://robinminard.com/portfolio-category/permanent/)
- [Silent Music](https://robinminard.com/portfolio-category/silent-music/)
- [Blue](https://robinminard.com/portfolio-category/blue/)
- [Objects](https://robinminard.com/portfolio-category/objects/)
- [Compositions/Radio Art](https://robinminard.com/portfolio-category/compositions-radio-art/)