info@robinminard.com

Selected Presentations

2020

  • Weimarer Frühjahrstage. Ein Anderes Buch der Räume / Another Book of Spaces. 08.09.2020. (Co)
  • Geräuschkulisse, Hörspiel Festival, Leipzig. Kayapó — The Crying Cheiftain Raoni. 09.07.2020. (Co) 
  • D-Museum, Seoul, South Korea. Climate Change (Blue). Within the exhibition SounDmusuem. 25.03. to 27.09.2020. (I) 
  • Deutschlandfunk Kultur Berlin. Broadcast of Kayapó — The Crying Chieftain Raoni on the program Klangkunst. 17.04.2020 (R)
  • Hochschule für Musik Dresden. Ein Anderes Buch der Räume / Another Book of Spaces. 29.01.2020. (Co)

2019

  • Cinéma Spoutnik, Geneva. Cinema presentation of The Qikiqtaaluk Deep Map and Kayapó — The Crying Cheiftain Raoni (with black screen and French subtitles). 15.12. 2019. (Co)
  • Kontakte Festival, Akademie der Künste Berlin. Kayapó (installation based on the radio composition Kayapó — The Crying Chieftain Raoni). 26-29.09. 2019. (I)
  • Symposium on Spatial Sound Arts Seoul (SoSSAS), Seoul, South Korea. Keynote speaker and presentation of the works The Qikiqtaaluk Deep Map and The Book of Spaces. 06-08.09.2019. (Co)
  • Premiere radio broadcasts of Kayapó – The Crying Chieftain Raoni. Deutschlandfunk Kultur Berlin on the program Klangkunst (German version) 10.05. 2019 / WDR3 Cologne on the program Open Sounds. 13.07. 2019 (English version) (R)
  • Kunstmuseum Kloster Unser Lieben Frauen, Magdeburg, Germany. Long Lost Bells / Verlorene Glocken. Permanent public sound installation. Opening 11.05. 2019. (Ic)
  • Bauhaus Museum Weimar. Rosace Contained / Released. Installation for the opening of the new Bauhaus Museum in Weimar. Exhibition 05.04. to 06.09. 2019 (I)
  • Weimar City Festival on the occasion of 100 years Bauhaus. Nachklang Sounds of the Buchenwald bell played from the Gauforum tower 3 times daily for 2 weeks from 01.04.2019 (I)
  • Klangraum Krems, Austria. Silent Music (Krems). 29.03. to 22.04. 2019 (I)
  • Impuls Festival, Graz, Austria. Sound installation workshop ALMAT with public installation. In collaboration with Hanns Holger Rutz und David Pirrò. 11-21.02.2019 (I)
  • Schweizer Radio und Fernsehen Kultur (SRF) 03.04.2019 / Deutschlandfunk Berlin 04.01.2019, broadcasts of The Qikiqtaaluk Deep Map. (R)

2018

  • Commission from Deutschlandfunk Kultur Berlin and die Westdeutsche Rundfunk (WDR3) Cologne for the radio composition Kayapó – The Crying Chieftain Raoni. Involving field recordings in the Brazilian rain forest and at indigenous protests in Brasilia. (R)

 

 

2016

  • Festival ByPass, Espace JOB, Toulouse, France. The Book of Spaces (Co).
  • Temple Saint-Étienne, Mulhouse, France. Sutra II from The Book of Spaces (Co).
  • 15th Pyramide Festival, Schloss Biesdorf, Berlin. The Qikiqtaaluk Deep Map (Co).
  • Kunstmuseum Kloster Unser Lieben Frauen, Magdeburg, Germany. Group exhibition. Long Lost Bells (prototype for a permanent installation) (I).
  • Sächsische Akademie der Künste, Dresden, Germany. Within the group exhibition „Building New Realities“. Audio Books, à voir en silence, à lire en silence, The Rende Soundwalk (E).

2014

  • Whanki Museum, Seoul, South Korea. Within the group exhibition „Whanki Wave“. SIlent Music, River Dream, Silence (Blue), à voir en silence, Rosace, (Ec)
  • Deutschlandradio Kultur Berlin / WDR3 Cologne. The Qikiqtaaluk Deep Map (R)
  • Canadian Embassy, Berlin. The Qikiqtaaluk Deep Map (Co)
  • MuseumsQuartier, Vienna within “Cables Everywhere”Audio Books (E) 
  • Ten Drum Clutural Park, Kaoshung, Taiwan. Silent Music (I) (permanent)

2012

  • Arte Fiera 2012, Bologna, Italy. Silent Music (E)
  • ZKM Karlsruhe, Germany within the exhibition “Sound Art, Sound as a Medium of Art” (E)

2010

  • Sounding-D, Netzwerk Neue Musik Berlin. German-wide exhibitions (15 cities). The German Soundmap (Internet), Outside In (Blue) (I)
  • Aboa Vetus & Ars Nova Museum, Turku, Finland. Silent Music, Nature Morte (Ec)
  • Taipei Fine Arts Museum within the exhibition Mobilité, Sons et Formes organized by Grame, Lyon. 05.06-15.08.2010, Silent Music (Ec) 

2008

  • Arthur Rubenstein Philharmonic Building, Lodz, Poland. Silent Music (I)
  • OBORO, Montréal / Gallery 345, Toronto. Solo exhibition „Sounds on Paper“. Silent Music, Audio Books, à lire en silence, à voir en silence, Nature Morte. (E)
  • Montreal Planetarium / Isabel Bader Theater, Toronto. Solo concert. „qu’il m’en souvienne…“, The Book of Spaces, Diary for S. (Co) 

 

 

2006

  • Museo MARCO, Monterrey, Mexico. Silent Music (I)
  • Sonambiente Festival, Berlin. à voir en silence (E)
  • Total Museum & Gallery 27, Seoul, South Korea. à lire en silence, à voir en silence (E)
  • Adelaide Festival Centre, Adelaide Festival / Project 3, Adelaide, Australia. Silent Music (I)
  • Museo Tamayo, Mexico City. Silent Music, Outside In (Ic)
  • World Music Days, Stuttgart. 4 Räume (Co/I) 

 

 

 

2004

  • Centre Pompidou, Paris within the group exhibition „Écoute“. Silent Music (E)
  • Hotel Novotel Lille within the festival Audioframes. Chambre 108 (bleu) (I)

2002

  • Mariposa/Artlantis, Teneriffa. Silent Music (I) (permanent
  • Festival Inventionen, Berlin / Festival Résonances, IRCAM, Paris. SoundBits (I) 

2000

  • Galerie BF-15, Lyon. Silent Music (I)
  • The Mattress Factory, Pittsburgh. Silence (Blue), StillLife (Ic) 
  • Bunkier Sztuki Museum, Cracow, Poland. High Frequency Fields (I) 

 

1998

  • Musée d’Art Contemporain de Lyon. Still/Life (I)
  • Centre des Nouveaux Médias, Canadian Cultural Centre, Paris. Silent Music, Still/Life (I)
  • Inventionen ’98, Berlin / Stockholm Electronic Music Festival, Riddarholmskykan, Stockholm. 4 Räume (C/I)

1996

  • Het Apollohuis, Eindhoven. Silent Music, Still/Life (I) 
  • Interferenz 2, Kunstmuseum Kloster Unser Lieben Frauen, Magdeburg. Brunnen, Still/Life (Ic)
  • Steiermärkisches Landesmuseum Joanneum, Graz. Within the exhibition „Zwischen Himmel und Erde“. Neptun (Ic)
  • daadgalerie, Berlin. Solo Exhibition. Silent Music, Still/Life, Horizont (Ic)
  • Gallery MUU, Helsinki. Silent Music (I)
  • Warsaw Autumn Festival, Warsaw. Resonanz (Co)
  • Galerie Rähnitzgasse, Dresden. Art Drains (under the earlier title Underground Music) (I)
  • Villa de Pisa, Olevano Romano, Italy. Room with a View (I)

 

 

 

 

 

1994

  • Inventionen ’94, Akademie der Künste, Berlin. Expansion (Co)
  • Landesgartenschau Paderborn, Forum und Museum für Informationstechnik, Schloß Neuhaus. Klangweg (I)
  • Aspekte Salzburg, Mozarteum, Salzburg. Brunnen (under the earlier title SoundTides) (I)
  • Alte Schmiede, Wien. Silent Music (I)
  • Mutiple Sounds II, Helpoort, Maastricht. Silent Music (I)
  • Kulturbrauerei, Berlin. Resonanz (Co)

1992

  • Taegu Contemporary Music Festival, Korea. „qu’il m’en souvienne…” (Co)
  • Internationales Musikinstitut Darmstadt. “qu’il m’en souvienne…”, Ré (Co)
  • Parochialkirche Berlin, Kunst in Parochial, Parochialkirche Berlin. Stationen (Ic)
  • Schreyahner Herbst, Künstlerhof Schreyahn. “qu’il m’en souvienne…”, Ré, Naissances (Co)

1990

  • College d’Espagne, Paris. „qu’il m’en souvienne…“ (Co)
  • New Music America, Montreal Subway System. 68 Kilomètres de Musique (I)

1987

  • Gesellschaft für Aktuelle Kunst, Weserburg, Bremen within the group exhibition „Klanginstallationen“. Music for Passageways (Ic)
  • Hauptgebäude der Technischen Universität Berlin. Music for Walking Under, Music for Passageways. (I)

1984

  • Foyer du Grand Salon, Hôtel Meridien Montréal / Galerie Tangente, Montréal within the series „Musique à Tongente“. Music for Environmental Sound Diffusion (I)

2017

  • Philharmonie Luxembourg, for the Rainy Days Festival. On and Between. (Ic)
  • Kunstmuseum Kloster Unser Lieben Frauen, Magdeburg, Germany. „Works with Sound“ (solo exhibition). Silent Music, Brunnen, Rosace, Audio Books, River Dream, Silence (Blue) / Music for Quiet Spaces, 4 video documentations. (Ec)
  • Calit2 Gallery, Califormia Institute for Telecommunications and Information Technology, UCSD San Diego, USA. Silent Music, Nature Morte, 4 video documentations. (E/I)

2015

  • Instalakcje 4 Festival, Centre for Contemporary Art, Ujazdowski Castle, Warsaw. Silent Music (I)
  • Kulturfonds RheinMain, Frankfurt. The Phrix Soundwalk (I) 
  • Wittener Tage für neue Kammermusik, Witten. Geschichtsbaum (I)
  • Ten Drum Cultural Park, Tainan, Taiwan. The Rende Soundwalk (I)

 

 

2013

  • Institut für Musik und Musikerziehung, Darmstadt. Workshop and public site-specific installation. (I)
  • Galerie Belvedere, Vienna within the exhibition “Dekadenz – Positionen des österreichischen Symbolismus”. Silent Music (I)
  • Relevante Musik, Berlin. The Qikiqtaaluk Deep Map Part I (Co)

 

2011

  • Freiraum Quartier 21, Vienna within “Tonspur expanded”. à lire en silence, à voir en silence (E)
  • European Capital of Culture, Turku, Finland. Silence (Blue) (I)
  • Galerie Mazzoli, Berlin.  Silent Music, Glacial Streams, à lire en silence, à voir en silence (E) 

2009

  • Museum Biedermann within the Donaueschinger Musiktage, Donaueschingen. Spiegelung (Blau) (I)
  • Deutschlandradio Kultur Berlin. Listening to Australia (R)

2007

  • Literaturwerkstatt, epoesie Festival, Kulturbrauerei, Berlin. Full Circle (C)
  • Wasserspeicher, Berlin. Vice Versa, with Ludger Hennig, Hanns Holger Rutz, Robert Rehnig) (I) 

 

2005

  • Burgmuseum Ziesar, Brandenburg. Der Jerusalemsaal (I) (permanent)
  • Festival Inventionen, Berlin. The Book of Spaces (Co)
  • Turning Sounds Festival, Warsaw. Silent Music, Brunnen (I) 

2003

  • Galerie Voxxx, Chemnitz. Silence (Blue) (I)
  • Ultraschall Festival, Sophiensaale, Berlin. The Book of Spaces (Co)
  • Festival Archipel, Geneva. SoundBits (I)

2001

  • Bellevue-Saal, Wiesbaden, Germany. site specific installation (Ic) 

1999

  • Bundesgartenschau Magdeburg. Intermezzo (Ic)
  • Zagreb Music Biennale, Zagreb Museum of Contemporary Art. StillLife (I)
  • Weimar Kulturstadt Europas 1999 within the group exhibition „Licht auf Weimar“. Nachklang (Ic)
  • Stadtgalerie Saarbrücken. Solo Exhibition „Works with Sound“. Silent Music, Brunnen, Music for Passageways, Still/Life, Music for Quiet Spaces – later under the title „Silence (Blue)“ (Ec) 

 

 

1997

  • In Medias Res, Dolmabahçe Cultural Centre, Istanbul. Brunnen (Ic)
  • World Music Days, Total Museum of Contemporary Art, Seoul. Silent Music (I)
  • Donaueschinger Musiktage, Donaueschingen. Landscape I (I)
  • KlangArt, Bocksturm, Osnabrück. Stil Leben (I)

 

1995

  • Kirschencomplex, Maastricht. Stil Leben (I)
  • Electronic Access, Graz Opera Studio-Stage, Graz. Resonanz (Co)
  • Warsaw Autumn Festival, Warsaw Centre of Contemporary Art, Ujazdowski Castle, Warsaw. Silent Music (I)
  • Magiorama ’95, Groningen. Weather Station (I)
  • Klangfenster ’95, Reading room of the Mathematische Fachbibliothek, Technische Universität Berlin. Klangstille (I)
  • “Zwischen-Geräusche(n)”, Karl-Hofer-Gesellschaft, USE_MEdien HdK Berlin, Bahnhof Westend. Site-specific installation (I)

1993

  • Centro Recherche Musicale, Rom / Schauspielhaus, Berlin / Warsaw Autumn Festival. (Co)
  • Podewil, Berlin. Resonanz (Co)
  • Haus Ungarn, Berlin. Naissances (Co)

 

 

1991

  • Inventionen ’91, Akademie der Künste, Berlin. (Co)
  • Wissenschaftszentrum Berlin. Soundcatchers (Ic)
  • PanMusic Fest, Seoul. “qu’il m’en souvienne…“ (Co)
  • Banff Centre for the Arts, Alberta, Canada. Music for Quiet Spaces (Co)
  • Europe Acousmatique, Lyon. „qu’il m’en souvienne…“ (Co)

 

1988

  • Berlin Kulturstadt Europas 1988. Kongresshalle Berlin (now „Haus der Kulturen der Welt“. Soundwalls (I)

1985

  • Galerie Tangente, Montréal. WIthin the series „Musique à Tangente“. Music for Passageways (I)