2020

• Weimarer Frühjahrstage. Ein Anderes Buch der Räume / Another Book of Spaces. 08.09.2020. (Co)
• Geräuschkulisse, Hörspiel Festival, Leipzig. Kayapó — The Crying Cheiftain Raoni. 09.07.2020. (Co) 
• D-Museum, Seoul, South Korea. Climate Change (Blue). Within the exhibition SounDmusuem. 25.03. to 27.09.2020. (I) 
• Deutschlandfunk Kultur Berlin. Broadcast of Kayapó — The Crying Chieftain Raoni on the program Klangkunst. 17.04.2020 (R)
• Hochschule für Musik Dresden. Ein Anderes Buch der Räume / Another Book of Spaces. 29.01.2020. (Co)

2021

• Qikiqtaaluk for Wilson (2014) released on the CD “Wendepunkt” by the German Society for Electroacoustic Music (Degem) / 10.2021
• ZKM Karlsruhe. Qikiqtaaluk for Wilson. 8-channel concert presentation within the annual meeting of the German Society for Electroacoustic Music (Degem). 29.10.2021 (Co)
• Radio UEL FM, Londrina, Brazil. Kayapó – O Choro do Chefe Raoní (Portuguese translation of Kayapó — The Crying Chieftain Raoni). Multiple broadcasts over radio and Internet. Portuguese translation and narration by Janete el Haouli. 09.2021. (R)
• Les Yeux Grand Fermés – Festival d’art sonore et radiophonique, Théâtre Saint-Gervais, Geneva. The Qikiqtaaluk Deep Map / 29.05.2021. (Co)

 

 

 

2019

• Cinéma Spoutnik, Geneva. Cinema presentation of The Qikiqtaaluk Deep Map and Kayapó — The Crying Cheiftain Raoni (with black screen and French subtitles). 15.12. 2019. (Co)
• Kontakte Festival, Akademie der Künste Berlin. Kayapó (installation based on the radio composition Kayapó — The Crying Chieftain Raoni). 26-29.09. 2019. (I)
• Symposium on Spatial Sound Arts Seoul (SoSSAS), Seoul, South Korea. Keynote speaker and presentation of the works The Qikiqtaaluk Deep Map and The Book of Spaces. 06-08.09.2019. (Co)
• Premiere radio broadcasts of Kayapó – The Crying Chieftain Raoni. Deutschlandfunk Kultur Berlin on the program Klangkunst (German version) 10.05. 2019 / WDR3 Cologne on the program Open Sounds. 13.07. 2019 (English version) (R)
• Kunstmuseum Kloster Unser Lieben Frauen, Magdeburg, Germany. Long Lost Bells / Verlorene Glocken. Permanent public sound installation. Opening 11.05. 2019. (Ic)
• Bauhaus Museum Weimar. Rosace Contained / Released. Installation for the opening of the new Bauhaus Museum in Weimar. Exhibition 05.04. to 06.09. 2019 (I)
• Weimar City Festival on the occasion of 100 years Bauhaus. Nachklang Sounds of the Buchenwald bell played from the Gauforum tower 3 times daily for 2 weeks from 01.04.2019 (I)
• Klangraum Krems, Austria. Silent Music (Krems). 29.03. to 22.04. 2019 (I)
• Impuls Festival, Graz, Austria. Sound installation workshop ALMAT with public installation. In collaboration with Hanns Holger Rutz und David Pirrò. 11-21.02.2019 (I)
• Schweizer Radio und Fernsehen Kultur (SRF) 03.04.2019 / Deutschlandfunk Berlin 04.01.2019, broadcasts of The Qikiqtaaluk Deep Map. (R)

2018

• Commission from Deutschlandfunk Kultur Berlin and die Westdeutsche Rundfunk (WDR3) Cologne for the radio composition Kayapó – The Crying Chieftain Raoni. Involving field recordings in the Brazilian rain forest and at indigenous protests in Brasilia. (R)

 

 

2016

• Festival ByPass, Espace JOB, Toulouse, France. The Book of Spaces (Co).
• Temple Saint-Étienne, Mulhouse, France. Sutra II from The Book of Spaces (Co).
• 15th Pyramide Festival, Schloss Biesdorf, Berlin. The Qikiqtaaluk Deep Map (Co).
• Kunstmuseum Kloster Unser Lieben Frauen, Magdeburg, Germany. Group exhibition. Long Lost Bells (prototype for a permanent installation) (I).
• Sächsische Akademie der Künste, Dresden, Germany. Within the group exhibition „Building New Realities“. Audio Books, à voir en silence, à lire en silence, The Rende Soundwalk (E).

2014

• Whanki Museum, Seoul, South Korea. Within the group exhibition „Whanki Wave“. SIlent Music, River Dream, Silence (Blue), à voir en silence, Rosace, (Ec)
• Deutschlandradio Kultur Berlin / WDR3 Cologne. The Qikiqtaaluk Deep Map (R)
• Canadian Embassy, Berlin. The Qikiqtaaluk Deep Map (Co)
• MuseumsQuartier, Vienna within “Cables Everywhere”. Audio Books (E) 
• Ten Drum Clutural Park, Kaoshung, Taiwan. Silent Music (I) (permanent)

2012

• Arte Fiera 2012, Bologna, Italy. Silent Music (E)
• ZKM Karlsruhe, Germany within the exhibition “Sound Art, Sound as a Medium of Art” (E)

2010

• Sounding-D, Netzwerk Neue Musik Berlin. German-wide exhibitions (15 cities). The German Soundmap (Internet), Outside In (Blue) (I)
• Aboa Vetus & Ars Nova Museum, Turku, Finland. Silent Music, Nature Morte (Ec)
• Taipei Fine Arts Museum within the exhibition Mobilité, Sons et Formes organized by Grame, Lyon. 05.06-15.08.2010, Silent Music (Ec) 

2008

• Arthur Rubenstein Philharmonic Building, Lodz, Poland. Silent Music (I)
• OBORO, Montréal / Gallery 345, Toronto. Solo exhibition „Sounds on Paper“. Silent Music, Audio Books, à lire en silence, à voir en silence, Nature Morte. (E)
• Montreal Planetarium / Isabel Bader Theater, Toronto. Solo concert. „qu’il m’en souvienne…“, The Book of Spaces, Diary for S. (Co) 

 

 

2006

• Museo MARCO, Monterrey, Mexico. Silent Music (I)
• Sonambiente Festival, Berlin. à voir en silence (E)
• Total Museum & Gallery 27, Seoul, South Korea. à lire en silence, à voir en silence (E)
• Adelaide Festival Centre, Adelaide Festival / Project 3, Adelaide, Australia. Silent Music (I)
• Museo Tamayo, Mexico City. Silent Music, Outside In (Ic)
• World Music Days, Stuttgart. 4 Räume (Co/I) 

 

 

 

2004

• Centre Pompidou, Paris within the group exhibition „Écoute“. Silent Music (E)
• Hotel Novotel Lille within the festival Audioframes. Chambre 108 (bleu) (I)

2002

• Mariposa/Artlantis, Teneriffa. Silent Music (I) (permanent
• Festival Inventionen, Berlin / Festival Résonances, IRCAM, Paris. SoundBits (I) 

2000

• Galerie BF-15, Lyon. Silent Music (I)
• The Mattress Factory, Pittsburgh. Silence (Blue), StillLife (Ic) 
• Bunkier Sztuki Museum, Cracow, Poland. High Frequency Fields (I) 

 

1998

• Musée d’Art Contemporain de Lyon. Still/Life (I)
• Centre des Nouveaux Médias, Canadian Cultural Centre, Paris. Silent Music, Still/Life (I)
• Inventionen ’98, Berlin / Stockholm Electronic Music Festival, Riddarholmskykan, Stockholm. 4 Räume (C/I)

1996

• Het Apollohuis, Eindhoven. Silent Music, Still/Life (I) 
• Interferenz 2, Kunstmuseum Kloster Unser Lieben Frauen, Magdeburg. Brunnen, Still/Life (Ic)
• Steiermärkisches Landesmuseum Joanneum, Graz. Within the exhibition „Zwischen Himmel und Erde“. Neptun (Ic)
• daadgalerie, Berlin. Solo Exhibition. Silent Music, Still/Life, Horizont (Ic)
• Gallery MUU, Helsinki. Silent Music (I)
• Warsaw Autumn Festival, Warsaw. Resonanz (Co)
• Galerie Rähnitzgasse, Dresden. Art Drains (under the earlier title Underground Music) (I)
• Villa de Pisa, Olevano Romano, Italy. Room with a View (I)

 

 

 

 

 

1994

• Inventionen ’94, Akademie der Künste, Berlin. Expansion (Co)
• Landesgartenschau Paderborn, Forum und Museum für Informationstechnik, Schloß Neuhaus. Klangweg (I)
• Aspekte Salzburg, Mozarteum, Salzburg. Brunnen (under the earlier title SoundTides) (I)
• Alte Schmiede, Wien. Silent Music (I)
• Mutiple Sounds II, Helpoort, Maastricht. Silent Music (I)
• Kulturbrauerei, Berlin. Resonanz (Co)

1992

• Taegu Contemporary Music Festival, Korea. „qu’il m’en souvienne…” (Co)
• Internationales Musikinstitut Darmstadt. “qu’il m’en souvienne…”, Ré (Co)
• Parochialkirche Berlin, Kunst in Parochial, Parochialkirche Berlin. Stationen (Ic)
• Schreyahner Herbst, Künstlerhof Schreyahn. “qu’il m’en souvienne…”, Ré, Naissances (Co)

1990

• College d’Espagne, Paris. „qu’il m’en souvienne…“ (Co)
• New Music America, Montreal Subway System. 68 Kilomètres de Musique (I)

1987

• Gesellschaft für Aktuelle Kunst, Weserburg, Bremen within the group exhibition „Klanginstallationen“. Music for Passageways (Ic)
• Hauptgebäude der Technischen Universität Berlin. Music for Walking Under, Music for Passageways. (I)

1984

• Foyer du Grand Salon, Hôtel Meridien Montréal / Galerie Tangente, Montréal within the series „Musique à Tongente“. Music for Environmental Sound Diffusion (I)

2017

• Philharmonie Luxembourg, for the Rainy Days Festival. On and Between. (Ic)
• Kunstmuseum Kloster Unser Lieben Frauen, Magdeburg, Germany. „Works with Sound“ (solo exhibition). Silent Music, Brunnen, Rosace, Audio Books, River Dream, Silence (Blue) / Music for Quiet Spaces, 4 video documentations. (Ec)
• Calit2 Gallery, Califormia Institute for Telecommunications and Information Technology, UCSD San Diego, USA. Silent Music, Nature Morte, 4 video documentations. (E/I)

2015

• Instalakcje 4 Festival, Centre for Contemporary Art, Ujazdowski Castle, Warsaw. Silent Music (I)
• Kulturfonds RheinMain, Frankfurt. The Phrix Soundwalk (I) 
• Wittener Tage für neue Kammermusik, Witten. Geschichtsbaum (I)
• Ten Drum Cultural Park, Tainan, Taiwan. The Rende Soundwalk (I)

 

 

2013

• Institut für Musik und Musikerziehung, Darmstadt. Workshop and public site-specific installation. (I)
• Galerie Belvedere, Vienna within the exhibition “Dekadenz – Positionen des österreichischen Symbolismus”. Silent Music (I)
• Relevante Musik, Berlin. The Qikiqtaaluk Deep Map Part I (Co)

 

2011

• Freiraum Quartier 21, Vienna within “Tonspur expanded”. à lire en silence, à voir en silence (E)
• European Capital of Culture, Turku, Finland. Silence (Blue) (I)
• Galerie Mazzoli, Berlin.  Silent Music, Glacial Streams, à lire en silence, à voir en silence (E) 

2009

• Museum Biedermann within the Donaueschinger Musiktage, Donaueschingen. Spiegelung (Blau) (I)
• Deutschlandradio Kultur Berlin. Listening to Australia (R)

2007

• Literaturwerkstatt, epoesie Festival, Kulturbrauerei, Berlin. Full Circle (C)
• Wasserspeicher, Berlin. Vice Versa, with Ludger Hennig, Hanns Holger Rutz, Robert Rehnig) (I) 

 

2005

• Burgmuseum Ziesar, Brandenburg. Der Jerusalemsaal (I) (permanent)
• Festival Inventionen, Berlin. The Book of Spaces (Co)
• Turning Sounds Festival, Warsaw. Silent Music, Brunnen (I) 

2003

• Galerie Voxxx, Chemnitz. Silence (Blue) (I)
• Ultraschall Festival, Sophiensaale, Berlin. The Book of Spaces (Co)
• Festival Archipel, Geneva. SoundBits (I)

2001

• Bellevue-Saal, Wiesbaden, Germany. site specific installation (Ic) 

1999

• Bundesgartenschau Magdeburg. Intermezzo (Ic)
• Zagreb Music Biennale, Zagreb Museum of Contemporary Art. StillLife (I)
• Weimar Kulturstadt Europas 1999 within the group exhibition „Licht auf Weimar“. Nachklang (Ic)
• Stadtgalerie Saarbrücken. Solo Exhibition „Works with Sound“. Silent Music, Brunnen, Music for Passageways, Still/Life, Music for Quiet Spaces – later under the title „Silence (Blue)“ (Ec) 

 

 

1997

• In Medias Res, Dolmabahçe Cultural Centre, Istanbul. Brunnen (Ic)
• World Music Days, Total Museum of Contemporary Art, Seoul. Silent Music (I)
• Donaueschinger Musiktage, Donaueschingen. Landscape I (I)
• KlangArt, Bocksturm, Osnabrück. Stil Leben (I)

 

1995

• Kirschencomplex, Maastricht. Stil Leben (I)
• Electronic Access, Graz Opera Studio-Stage, Graz. Resonanz (Co)
• Warsaw Autumn Festival, Warsaw Centre of Contemporary Art, Ujazdowski Castle, Warsaw. Silent Music (I)
• Magiorama ’95, Groningen. Weather Station (I)
• Klangfenster ’95, Reading room of the Mathematische Fachbibliothek, Technische Universität Berlin. Klangstille (I)
• “Zwischen-Geräusche(n)”, Karl-Hofer-Gesellschaft, USE_MEdien HdK Berlin, Bahnhof Westend. Site-specific installation (I)

1993

• Centro Recherche Musicale, Rom / Schauspielhaus, Berlin / Warsaw Autumn Festival. Ré (Co)
• Podewil, Berlin. Resonanz (Co)
• Haus Ungarn, Berlin. Naissances (Co)

 

 

1991

• Inventionen ’91, Akademie der Künste, Berlin. Ré (Co)
• Wissenschaftszentrum Berlin. Soundcatchers (Ic)
• PanMusic Fest, Seoul. “qu’il m’en souvienne…“ (Co)
• Banff Centre for the Arts, Alberta, Canada. Music for Quiet Spaces (Co)
• Europe Acousmatique, Lyon. „qu’il m’en souvienne…“ (Co)

 

1988

• Berlin Kulturstadt Europas 1988. Kongresshalle Berlin (now „Haus der Kulturen der Welt“. Soundwalls (I)

1985

• Galerie Tangente, Montréal. WIthin the series „Musique à Tangente“. Music for Passageways (I)