Selected acousmatic and instrumental compositions 1984-2020
acousmatic composition
8-channel / 16'30
realized for a concert in honor of Franz Martin Olbrisch at the Hochschule für Musik Dresden in January 2020.
GPS-based site-specific composition for smartphones
created for the abandoned Phrix paper factory, Frankfurt within the festival „Klangkunst trifft Industriekultur”.
Programming: Alexander Pospischil
Site-specific soundwalk for smartphones
created for the abandoned „Ten Drum Rende“ sugar factory situated in Tainan, Taiwan. As part of the Ten Drum Artist-in-Residence Project.
GPS-based site-specific composition for smartphones
commissioned by the WDR Wittener Tage für Neue Kammermusik, Witten.
Programming: Alexander Pospischil
acousmatic composition
8-channel or stereo / 6’54”
Composed for the Goethe-Medal award ceremony for Robert Wilson in Weimar, 2014.
Stereo version available on the 3-CD-set “Zukunftsmusik / im hier und jetzt oder nie / Wendepunkte”, Edition DEGEM (CDs 19-21), German Society for Electroacoustic Music, 2021
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site-specific acoustic composition
3-channel / 16'00
composed for the festival "Musik im Freien" for the Berlin Tiergraten carillon.
Produced at the Elektronische Studio, TU Berlin.
acousmatic composition
Stereo / 12'00
commissioned by the festival "Pulsar" with the support of the Canada Council for the Arts
Premiered in April 2008 at the Montreal Planitarium.
acousmatic composition
8-channel (12 channel version 2012) / 38'00
8 channel version available on the CD "50 Years Studio TU Berlin"
acousmatic composition
stereo version (originally 12-channel concert-installation) / 15'49
commissioned for an installation at the Friedenskirche Jena / concert version premiered at the Ultraschall Festival, Berlin.
Realized at the Electronic Studio of the Berlin Technical University.
acousmatic composition
8 or 16 channel / 20'00
commissioned by the festival "Inventionen" for concerts commemorating 50 years of musique concrete. Presented as a concert-installation in the foyer of the SFB Berlin.
Realized at theTU Berlin Elektronisches Studio.
for piano, percussion and stereo fixed media / 10'00
realized at the Electronic Studio of the Berlin Technical University with the aid of a grant from the Senatsverwaltung für Kulturelle Angelegenheiten Berlin.
for clarinet and stereo fixed media / 11'00
Commissioned by Bruno Martinez with the aid of a grant from the Canada Council for the Arts.
Realized at the Electronic Studio of the Berlin Technical University.
acousmatic composition
4-channel or stereo / 12'00
realized at the Elektronisches Studio of the TU Berlin for premiere at the 1987 Warsaw Autumn Festival.
for vibraphone and 12-second delay (originally tape delay)
Stereo / 15’46
commissioned with the support of the Canada Council of the Arts
