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Installations

Rosace

Site specific installation for the cloister courtyard of the Kunstmuseum Magdeburg with 42 wall-mounted loudspeakers and 16-channel audio. Purchased by the museum in 2020. Presentations 2017: Kunstmuseum Magdeburg, within “Works with Sound 1984-2019” (permanent since 2021)

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Rosace Contained / Released

2 separate wall-mounted loudspeaker installations with a total of 112 loudspeakers and 40-channel audio. Commissioned for the opening of the new Bauhaus Museum, Weimar. Presentations 2019: Bauhaus Museum, Weimar. Exhibition 05.04. to 06.09. 2019

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SoundBits01

576 piezo loudspeakers, 576 one-bit audio channels, custom hardware developed at IRCAM, Paris. Realised at IRCAM with the collaboration of Norbert Schnell (technical concept and jMax programming), Emmanuel Fléty (hardware development) and Rémy Müller (programming and installation assistant). Presentations 2003: Festival Archipel, Geneva 2002: Festival Inventionen, Stadtbad Oderbergerstrasse, Berlin

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Still/Life

installed column, lamp, countless piezo loudspeakers and 8 to 16 channel audio Presentations 2000: The Mattress Factory, Pittsburgh, USA 1999: Stadtgalerie Saarbrücken, Saarbrücken, Germany 1998: Musée d’Art Contemporain de Lyon, Lyon, France 1998: Canadian Cultural Centre, Paris, France 1996: sonambiente, daadgalerie, Berlin, Germany 1996: Het Apollohuis, Eindhoven, Netherlands

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Silent Music

Installation consisting of several hundred wall-mounted piezo loudspeakers and 4-channel audio. The work has been adapted to countless public and museum spaces throughout the world. Presentations 2017: Kunstmuseum Kloster Unser Lieben Frauen, Magdeburg, Germany 2017: Calit2 Gallery, Califormia Institute for Telecommunications and Information Technology, UCSD, San Diego, USA 2015: Instalakcje 4, Centre for Contemporary Art, […]

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Silent Music (Mariposa)

3 vertical columns, 150 piezo loudspeakers, 3-channel audio Presentations since 2002: Kulturpark Mariposa, Tenerife, Spain (permanent)

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Spiegelung (blau)

A site specific installation with real-time sound processing and spatialization, creating an abstract sound environment out of material taken from festival concerts. Blue film mounted on windows and 12-channel high-performance audio. Commissioned for the Spiegelsaal (mirror room) of the Museum Biedermann, Donaueschingen within the Donaueschinger Musiktage 2009. Presentations 2009: Speigelsaal, Museum Biedermann within the Donaueschinger […]

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Silence (Blue) / chambre 108 (bleu)

Installations with blue film, white carpet, white accessories, numerous hidden mid-range loudspeakers and 2-channel audio. Soundtrack from the composition Music for Quiet Spaces (1984) Presentations 2017: Silence (Blue), Kunstmuseum Magdeburg within the solo exhibition Works / Werke 1984-2019 2004: chambre 108 (bleu), Hotel Novotel Lille (FR) within the festival Audioframes 1999: Silence (Blue), Stadtgalerie Saarbrücken within […]

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Silence (Blue) Pittsburgh/Chemnitz

Installations with blue film, piezo elements attached between acrylglas panels (Pittsburgh version) or on parchment paper (Chemnitz version), 3-channel audio. Presentations 2003: Voxxx Galerie, Chemnitz 2000: Mattress Museum for Centemporary Art, Pittsburgh, USA

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Nachklang

A site specific installation broadcast from 3 bell towers within the historic centre of the city of Weimar.  Nine different compositions made from recordings of the Buchenwald bell were played 3 times daily for a period of 4 months during the celebrations of Weimar as the European Capital of Cultural 1999. The work was repeated in […]

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